The stage at Chowdiah Memorial Corridor was not too long ago a sea of inexperienced as near 200 musicians in colour-coordinated outfits, toting flutes and tablas, assembled to current Guruvandana, an occasion showcasing what that they had learnt below the tutelage of their masters at Sanjog Bansuri Mahavidyalaya.
For over twenty years now, the institute in Bengaluru has been nurturing musical expertise. Based in 2002 and inaugurated by maestro Zakir Hussain, college students at Sanjog Bansuri Mahavidyalaya vary from the ages of 5 to 70. Falutist Pravin Godkhindi teaches them the best way to play the bansuri and sing, whereas his brother, Kiran Godkhindi, imparts tabla classes.
“It was the dream of our father Venkatesh Godkhindi to construct a spot the place college students may study music. That’s what my brother and I’ve finished,” stated Pravin Godkhindi, speaking concerning the institute’s legacy.
The live performance started with an invocation by the youngest college students, whose tiny palms delicately navigated the notes. All through the night, kids and adults at varied studying ranges graced the stage, testifying to the persistence and onerous work of their academics.
One of many occasion highlights was a jugalbandi by the entire college students, during which the flautists and vocalists introduced two separate raagas in good unison, which was adopted by an explosive finale with fast-paced tabla work. This efficiency obtained a standing ovation.
Gangavathi Pranesh, actor and comic, was the chief visitor for the night whereas the visitor of honour was vidwan Anoor Ananthakrishna Sharma, a famend mridangam artiste and Pravin Godkhindi’s guru. Anoor spoke concerning the significance of preserving Indian classical music. “Packages like this encourage each dad and mom and youngsters to find out about our tradition, which is why I believe it’s essential to advertise and protect our heritage.”
Shadaj Godkhindi, Pravin Godkhindi’s son, who was additionally a flautist on the occasion, stated, “Music is without doubt one of the oldest traditions in our nation, and I wish to proceed our legacy like my father did. Whenever you play music, you are feeling each emotion — love, devotion, angst or anything. That’s the reason we want it right this moment.”
One other well-known tabla artiste within the metropolis, Pt. Ravindra Yavagal, who was additionally in attendance, emphasised the occasion’s significance for the world of classical music and the establishment’s function in bringing collectively distinguished artistes.
The occasion featured Pt. Yogesh Samsi, who introduced a charming tabla piece accompanied by Yashwant Vaishnav on the tabla and Milind Kulkarni on the harmonium. The night concluded with a efficiency by Pravin Godkhindi, Yogesh Samsi, Shadaj Godkhindi and Yashwant Vaishnav.
“The notion that Indian classical music is a dying artwork is fake. There may be enough proof to show that Indian classical music exists. The one concern is, whereas we now have the subsequent era of listeners and performers, we don’t have the subsequent era of organisers or sponsors. As a musician, that’s my predominant concern — corporates and MNCs have to take up this social duty,” stated Pravin.