In KYNKYNY Artwork Gallery’s newest exhibition, The Revisiting, Kolkata-based artist Avijit Dutta’s moody and evocative tempera work delve into the nebulous realms of reminiscence, creativeness, and time, inviting viewers to traverse fragments of bygone eras crammed with private histories, cultures, and the essence of on a regular basis life.
The exhibition, which opened within the historic bungalow of physicist Sir CV Raman in Malleshwaram on June 22 and 23, has moved to KYNKYNY, the place will probably be on until July 19. The scientist’s residence, steeped in historical past, provides a layer of depth to Avijit’s works, which have been partly impressed by his go to to this location final September.
Avijit Dutta’s The Revisiting
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Particular Association
“Strolling on the soil the place Sir CV Raman spent a lot time felt like an actual privilege,” he remembers over the cellphone from Kolkata. “The bushes and foliage throughout lent a type of peaceable magic. I imagined conversations, voices, the cooing of pigeons, and flowers with unique butterflies including color and richness. It was a surreal second that evoked many ideas, most of which I carried again to Kolkata. Over time, these ideas took form as my works.”
Avijit’s journey as an artist spans almost 25 years, marked by continuous evolution and deep self-exploration. “Artwork has been a continuing journey of change and progress, marked by new insights, understandings, and implementations,” he says. This perpetual transformation is obvious in his newest assortment, the place he reinterprets the previous not as static or frozen however as a dynamic, shape-shifting narrative reconstructed by means of emotion, metaphor, and creativeness.
Key to his artistic course of is the affect of his mom, whose reminiscence continues to gasoline his creative drive. “My mom has been a central determine in my life journey and has profoundly influenced my work as an artist. I misplaced her at a really younger age, and I’ve consistently tried to recollect the fleeting, fragile moments spent together with her. Her decisions, model, and behavior stay recent in my thoughts.”
Avijit’s artwork can also be inextricably linked to the soul of Kolkata, a metropolis he describes as a “cauldron of creativity, grandeur, tradition, and sluggish, poignant decay.” The historical past and distinctive character of Kolkata are woven into his work, which exude a way of nostalgia and elusiveness, just like flipping by means of a forgotten picture album.
“The idea of ‘The Revisiting’ is about taking artwork out of its standard confines and putting it in a brand new area, giving it a recent look, mild, and freedom,” says Avijit. This strategy permits his work to the touch viewers in new and transformative methods as they encounter imagined areas, fading instances, and emotional encounters that transcend the strange.
Nature, a recurring motif in his works, is not only a backdrop however a central character in his tales. Canines, antelopes, birds, butterflies, and horses inhabit his crumbling mansions and regal settings, symbolising the passage of time and the advanced interaction of human expertise. His compositions, wealthy in imagery and layered with a classic patina, replicate the multidimensional high quality of the thoughts, blurring the boundaries between previous and current, actuality and fantasy.
“Artwork usually begins abstractly and, for a lot of, transforms into one thing extra figurative and form-like. In any creative journey, reminiscence is a crucial foreign money that fuels creativeness and composition,” he displays. “We dwell within the current however convey the previous alive by means of reminiscence, artwork, poetry, music, and writings.”
For Avijit, the method of creation is as essential as the ultimate piece. “It’s been a busy couple of months bringing collectively this assortment. I’ve tried to make it diverse and attention-grabbing, and I hope my efforts discover an appreciative viewers.”
Expression, Avijit says, is essentially the most essential side of artwork. “Artwork must have a soul; in any other case, will probably be similar to some other object.”
The Revisiting may be considered at KYNKYNY Artwork Gallery until July 19.
