Nritya Samsrti’s thematic manufacturing ”Tamizhukkum Aram Yendru Peyar’ captured the essence of Thirukkural and Aathichoodi.
| Picture Credit score: RAGHUNATHAN SR
It was a night of storytelling via Bharatanatyam. It was a night that celebrated honesty, charity, equality, and ladies’s empowerment. Nritya Samsrti introduced ‘Thamizhukkum aramendru peyar’. The idea and choreography have been by Vaidehi Harish, the founder and creative director, with music by Rajkumar Bharathi and soundscape by Sai Shravanam (Resound India). The thematic presentation highlighted the social and cultural values espoused by Thiruvalluvar and Bharati, illustrating them with real-life examples via dance to boost understanding.
The women have been wearing vibrant yellow and purple Bharatanatyam costumes, and the dance featured quite a lot of formations that have been executed with ease.
The story of King Harishchandra was introduced to point out how he was steadfast in upholding the reality even on the time of adversity.
| Picture Credit score:
RAGHUNATHAN SR
The manufacturing started by highlighting how the inspiration of any motion is one’s ideas, and that solely when ideas are pure can phrases and actions be pure. This was adopted by the story of king Harishchandra, who sacrificed his kingdom and household to uphold reality. This was conveyed via a dance piece that was based mostly on Thiruvalluvar’s saying that regardless of what number of sorrows you face, one of the best ways to beat them is with a smile. It additionally mirrored Bharati’s educating that, even when confronted with poverty, loss, and deception, it is best to keep in mind that this too shall cross, and stay courageous.
Nritya Samsrti’s ‘Thamizhukkum Aramendru Peyar’ captured the essence of Bharatiyar’s teachings on ‘eegai’ via the story of King Shibi.
| Picture Credit score:
RAGHUNATHAN SR
Subsequent was the story of King Shibi, famend for his compassion, who supplied his personal flesh to an eagle to save lots of a pigeon. This was carried out to know Bharati’s educating that true ‘eegai‘ [the act of giving or helping others selflessly] means providing assist to anybody in want, with out displaying disparity. Thiruvalluvar emphasised that when a poor man asks for one thing and we’re unable to supply it, it’s a tragedy worse than demise.
Participating narrative
Consideration was given to small but vital particulars. The efficiency was a fantastic mix of narrative and motion, with the dancers making an attempt their greatest to convey the essence of the choreography.
Manunidhi Cholan, identified for his unwavering justice, ordered his personal son’s demise by chariot after a cow sought justice for her calf, which the prince had by chance killed. Bharati conveyed this message in his e book by writing about justice in a easy, accessible manner, suggesting that if everybody follows it, prosperity will observe. Thiruvalluvar additionally emphasised that whereas upholding justice, we should stay honest and impartial.
The efficiency featured timber as a backdrop and even included the temple bell. It was a dance that concerned a number of dancers in varied roles, every performing with grace and in sync.
The thematic presentation additionally featured Silappadikaram that tells the story of Kannagi, a loyal spouse who, after her husband Kovalan’s unjust execution, proves his innocence and curses the town of Madurai, resulting in its destruction. That is in reference to Thiruvalluvar’s saying about how a lady upholds Dharma, and by no means tires in performing her duties. Bharati challenged societal stereotypes and instilled in us the idea that ladies are able to nice achievements.
The efficiency breathed new life into age-old values, presenting them in a manner that was each refreshing and related. It was a thematic presentation that includes neatly and well-put-together costumes and actions. It concluded with a thillana that highlighted how Thiruvalluvar and Bharati have supplied us with timeless literature that may at all times information us.
Printed – September 11, 2024 03:54 pm IST
