There may be to the music Manjal prasaadavum nettiyil chaarthi a sure freshness, innocence, that’s timeless. Similar to the singer who rendered it.
Chithra had made her debut in Malayalam movie music just a few years earlier, nevertheless it was the music from Nakhakshathangal, together with Aa raathri maanju poyi, from Panchagni , each composed by Ravi, the seasoned composer from Bombay making his debut in Malayalam, that established her as a singer of uncommon high quality. Over the following 4 a long time, she would go on to turn into very a lot the feminine voice of South Indian movie music. She made her mark in Bollywood, too.
By way of Chithra Varnangal, music critic Ravi Menon tells us how the singer has endeared herself to music lovers throughout the nation along with her candy voice, distinctive expertise, disarming smile and humility. The ebook printed by DC Books isn’t a biography, however largely a set of options the writer has written over a protracted time frame. It’s uncertain, nevertheless, if the reader would get a extra intimate, in-depth, insightful image of the good singer elsewhere.
One of many the explanation why Menon has a substantial following as a author on well-liked music is readability, which he achieves with simplicity and liberal use of anecdotes. One will discover many such anecdotes in Chithra Varnangal.
From these anecdotes, additionally, you will be taught not nearly Chithra, however way more. One can find out how one in all her greatest songs Ariyaathe ariyaathe (Oru Katha Oru Nunakkatha) was born. If the movie’s producer David Kachappilly’s spouse hadn’t hummed the Hindi music Beeti na bitai raina (Parichay), composer Johnson could not have tuned what was one in all his best songs. And Chithra’s, too.