Indian society has lengthy been a crucible for girls, casting judgmental eyes on those that dare to deviate from prescribed norms. From the annals of historical past to the current day, the relentless scrutiny of girls’s selections has been fixed. Dramarsis’ new manufacturing, Aparajita (which suggests undefeated), delves into this timeless battle by the lives of two extraordinary girls: Mirabai, a medieval princess, and Jahnavi, a up to date lady navigating a fancy world.
Separated by centuries, these girls are united by their defiance. Mirabai’s unwavering devotion to Krishna and Jahnavi’s secret life as a dancer problem societal expectations profoundly. First-time director, Aritra Biswas, says, “The play goals to focus on the enduring nature of societal judgment. Mirabai is ostracised for her devotion, whereas Jahnavi fears the same destiny for her secret life. It’s a stark realisation that little has modified.”
The story, written by Gopichand Katragadda, underwent a change beneath the steerage of Dramarsis earlier than it was stage-ready. “The unique story didn’t embody Mirabai as a central character,” says Aritra, “We determined to convey her to the forefront and run her story parallel to Jahnavi’s.” This inventive alternative transports the viewers on a visible and auditory journey by time, from the medieval period to fashionable India.
The play attracts poignant parallels between Mirabai’s and Jahnavi’s experiences. “We’ve included among the legendary tales of Mirabai’s persecution into the play,” says the director. From going through assassination makes an attempt to enduring social ostracism, Mirabai’s journey is a stark distinction to Jahnavi’s, the place the worry of judgment typically overshadows actuality.”
Nevertheless, the play additionally acknowledges the nuances of societal reactions, as Aritra explains, “We’re not portraying everybody as judgmental. It’s a extra nuanced portrayal.”
Each characters are introduced as complicated people. Jahnavi, a seemingly typical medical pupil, harbours a secret life that defies societal expectations. Mirabai, a religious queen, challenges spiritual orthodoxy together with her unconventional views of Krishna. As Aritra factors out, “We see the same dynamic with Mirabai. Regardless of being a queen and a religious devotee, her unconventional view of Krishna was seen as scandalous.”
The play additionally explores into the complexities of Jahnavi’s relationships as she navigates her twin life. From the reactions of her family and friends to the dynamics inside her skilled world as a dancer, the play affords a nuanced portrayal of the affect of societal judgment on private connections.
Aritra emphasises the play’s intention to keep away from didacticism. “We had been cautious to keep away from sounding preachy,” Aritra explains. As a substitute, the play goals to impress thought by refined storytelling. “Any message is conveyed by the characters’ actions and dialogue.”
The manufacturing employs a singular staging strategy to attach the 2 narratives. “We’ve stored the 2 tales largely separate on stage, utilizing the identical area to create overlaps between the previous and current,” says the director. This inventive choice permits the viewers to progressively uncover the interconnectedness between Mirabai and Jahnavi, as Jahnavi’s journey turns into a modern-day exploration of the historic determine.
Aritra is happy about his directorial debut. “It has been each difficult and rewarding. I’ve been concerned in theatre since 2017, however it is a entire new degree of involvement. A lot of our forged are new to theatre, so it’s been a strategy of shaping the play and the actors collectively. Seeing my imaginative and prescient for the play come to life has been extremely fulfilling.”
Aparajita might be staged at Jagriti Theatre, Whitefield, on August 3. Tickets on BookMyShow.